https://ift.tt/3vuqHQq Swedish director Roy Andersson’s About Endlessness is a scroll of 1,000 questions that would fit in a walnut shell, a seemingly unassuming movie that might dredge up feelings you didn’t know you had. It’s meditative, mournful and gently funny, and celebratory, too, but in a muted way. If you don’t know what kind of movie you’re in the mood for, this may be the one. It’s a tonic for listless times. About Endlessness doesn’t tell a single story. Instead, it glides from one vignette to another, carried along by the matter-of-fact observations of an unseen female narrator (Jessica Louthander), a tributary moving toward some larger reservoir of ideas: “I saw a man with his mind elsewhere,” she says, as we watch an elderly waiter who seems to be lost in time pour red wine into the glass of a portly, well-dressed businessman. Only he doesn’t stop pouring—the wine glugs into the glass well past the point of overflowing. Seeing what he’s done, he dabs at the s...
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