https://ift.tt/3BMuXOI When John le Carré died last December, his obituarists struck a common theme: here was a master spy novelist who, despite selling millions of books and having his work adapted for television and film , never received the recognition he deserved as a literary giant. Over six decades, le Carré drew upon his brief career in British intelligence to chronicle the decline of the U.K. as a global power and critique what he saw as an arrogant and corrupt Western neo-imperialism, typically through the perspective of those in the “secret world” of spying. His archetypal heroes were not James Bonds or Jack Reachers but often disillusioned men driven by moral values they are not certain they still believe in. What compels people to serve their country, or betray it, was a consistent theme in his work. [time-brightcove not-tgx=”true”] But just as Graham Greene —another former spy turned novelist—divided his work into “entertainments” and serious fare, so can one...
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